Date of Release – August
2, 2014
Genre – Crime,
Fiction, Thriller, Action
Director –
Pradeep Sarkar
Duration – 152 minutes
Cast – Rani Mukerji,
Jisshu Sengupta, Tahir Bhasin, Sanjay Taneja
Music - Shantanu
Moitra, Karthik Raja
Mardaani, a movie I had been long
awaiting for two reasons – First, Rani Mukherjee had lost somewhere post Talash
and one only read about her in gossip mills, that too mostly updates about her
personal life. A comeback for an actress of her calibre had to be special. And
the promos too, accelerated the curiosity!
Secondly, Indian cinema usually
takes a very “Jhansi Ki Rani” approach when it comes to female dominated films.
Coming from a seasoned director like Pradeep Sarkar, who has mastered the art
of serving the perfect feminist story (Parineeta, Laga Chunari Mein Daag), one could
expect a film that met the viewer’s expectations.
And true to its name, Mardaani,
the movie took the box office by storm. The initial buzz following its
release has reached a different level with Mardaani staying afloat vis a vis
the others.
Since Singham returns came in a week
before, there were comparisons floating around of Mardaani being Lady Singham.
But if you watch the movie, the Bengal Tigress roars and impresses you with her
seasoned natural acting, superb dialogue delivery and action sequences which no
rosy rosy actress trending these days would have been able to manage.
Pradeep Sarkar, weaves a story around the wefts and warps of human trafficking. Shivani Shivaji Roy, an honest and intelligent crime branch officer takes on the mafia when an orphan girl Pyaari, whom she treated like her own daughter falls prey to them. The officer, who believes in becoming a rat to catch a rat, and a snake to catch a snake, takes it upon herself to destroy the Lanka. The rest of the movie sees her manage a rather tough chase to Delhi and unearth the racket, with limited help from the authorities.
One thing I love about Rani is
the ease with which she slips into her character, be it her bold avtar in No
One killed Jessica; the submissive housewife in Talash, she gets into the skin
of the character. So, one shot will see her spearheading her team on a mission
to catch a gangster, and the other will show her pounding her love on her niece
and an orphan on the street Pyari. You may not see her serving her husband hot chapattis
but like a true Indian wife you can see her pained to see her husband in
trouble and standing by his side.
The supporting cast has done a
decent job, but it’s Rani who steals the show and you can’t help but marvel at
yet another flawless performance of the actress!
It was a treat to my eyes to see
many familiar locations in Delhi in various scenes – Connaught Place, Lodi
Garden etc.
While the film keeps you totally hooked on in the first half, it gets pretty predictable towards the end and Mr. Hubby
suggested we move before the ending credits to avoid the rush. But I insisted
we stayed till the last scene, for I loved watching the end for Rani’s action
sequences and her strong dialogues. (There is frequent use of some censored
words too so you might wanna think before your kids wanna go for it).
With such a movie, you cannot
hope for romantic or song n dance numbers as they would dilute the flavour of
the movie. However, the background score and the theme song resonates the
spirit of the movie.
Overall,
what a comeback movie for Rani, and if I have to tweak lines of a famous Hindi
Poem, it would go like,
“Khoob Ladi Mardani Woh To Filmon Wali Rani
Thi..."
Here’s wishing she continues to
impress her with her ever evolving acting skills!
My Rating – 4.5/5